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EVENTS

21 October 2017
Event
Passed
Brook Andrew in “Defying Empire: 3rd National Indigenous Art Triennial”
National Gallery of Australia, Canberra
26 May – 10 Sep 2017
Brook Andrew in “Defying Empire: 3rd National Indigenous Art Triennial”

Brook Andrew, Possessed II (2015)
gelatin silver print
137.0 x 127.0 cm
reproduction courtesy of the artist, Tolarno Galleries (Melbourne) and Galerie Nathalie Obadia (Paris and Brussels)

MADA Lecturer Brook Andrew is one of 30 contemporary Aboriginal and Torres Strait Islander artists from across the country whose work has been selected for exhibition in Defying Empire: 3rd National Indigenous Art Triennial.

Exhibition: 26 May – 10 September 2017

Artists: Tony Albert, Brook Andrew, Sebastian Arrow, Daniel Boyd, Maree Clarke, Megan Cope, Brenda L. Croft, Karla Dickens, Blak Douglas, Fiona Foley, Julie Gough, Lola Greeno, Dale Harding, Sandra Hill, Jonathan Jones, Ray Ken, Yvonne Koolmatrie, Nonggirrnga Marawili, Archie Moore, Laurie Nona, Rusty Peters, Reko Rennie, Brian Robinson, Yhonnie Scarce, Ken Thaiday Sr, Judy Watson, Vicki West, Jason Wing, Pedro Wonaeamirri, Raymond Zada.

National Gallery of Australia
Parkes Place
Parkes ACT
http://nga.gov.au/defyingempire/


The 3rd National Indigenous Art Triennial at the National Gallery of Australia commemorates the 50th anniversary of 1967 Referendum that recognised Aboriginals as Australians for the first time. It explores the ongoing resilience of Australia’s Indigenous people since first contact, through to the historical fight for recognition and ongoing activism in the present day.

Be moved by powerful art that touches on the issues of identity, racism, displacement, country, nuclear testing, sovereignty and the stolen generations through many media: painting on canvas and bark, weaving and sculpture, new media, prints, photography, metalwork and glasswork.

This groundbreaking show is the largest survey yet at the NGA and it highlights the continued excellence and diversity of Indigenous practice today.

This exhibition has been made possible through the generous support of Wesfarmers Arts.

Monash University
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